Drummond has always been about flipping the switch on baked-in ideas about art and music, but this is something else. Performance for the sake of performance, completely dissolving the boundaries between musician and audience, to the point where they become one and the same entity.

I find conceptual music deeply fascinating and satisfying, and the idea of a piece of music mutating and evolving beyond the reach of it’s composer is an amazing idea.

Excuses and Half Truths: The End Of Recorded Music: Bill Drummond And The17